From the course: Music Theory for Songwriters: The Fundamentals
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The refrain
From the course: Music Theory for Songwriters: The Fundamentals
The refrain
- In the era of American songbook, the term refrain was synonymous with chorus. In today's music, we see the refrain most often in simpler verse-based song forms. Bob Dylan is one of the greatest users of refrains. "Blowin' in the Wind" and "Don't Think Twice, It's All Right" are two excellent examples. Typically the verse is 16 bars, the refrain will come in the final four bars of the verse. Whereas the hook is merely catchy, the refrain differs as it will inform the song, give it new meaning. The refrain, and the hook for that matter, is often confused with the chorus because sometimes it is the chorus. When Mick Jagger sings, "I Can't Get No Satisfaction" it serves as the refrain and the chorus at the same time. But while the chorus and the verse are structural elements of a song, the refrain and the hook are functional elements.
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Contents
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The importance of song form2m 34s
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Beats, bars, and phrases5m 54s
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The elements of song form1m 2s
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The intro48s
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The verse2m 6s
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The chorus1m 23s
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The hook1m 7s
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The refrain1m
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The bridge or middle 845s
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The pre-chorus44s
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Familiar pop song forms50s
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Verse, chorus, and bridge forms1m 19s
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Simple verse form2m 2s
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Verse without chorus form1m 18s
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AABA 32-bar form1m 24s
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Through-composed song forms1m 26s
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Looking at a song's form5m 53s
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